Brandi and the restoration of contemporary art. One side and the other the Teoria
- Título(s)
- Título
- Brandi and the restoration of contemporary art. One side and the other the Teoria
- Conversaciones con... Cesare Brandi y Giulio Carlo Num. 7 Año 5 (2019) enero-junio
- Resumen:
- The theorization of contemporary art is often presented as a recent phenomenon, and refractory to the so-called “classical” approach, inspired by Brandi. This article shows that on the contrary, since Althöfer, Brandi 's theory has underpinned many exploratory approaches, and that a careful re-reading of entire parts of his work, often neglected, is able to inform the interventions of contemporary conservation.
- Referencias:
- Althöfer, Heinz (1960) “Einige Probleme der Restaurierung moderner Kunst”, Das Kunstwerk 14 (5-6): 51-59. Althöfer, Heinz (1970) “The Düsseldorf restoration studio”, Studies in Conservation 15 (3): 223-225. Althöfer, Heinz (1977) “Notizen zur Maltechnik und Restaurierung moderner Kunstobjekte For-setzung 5 und Schluss”, Maltechnik/Restauro (3): 186-192. Althöfer, Heinz (1981) “Historical and ethical principles of restoration”, in: ICOM Committee for Conservation 6th triennial meeting, Ottawa, 21-25 September 1981. Preprints, ICOM, Paris, p. 4. Althöfer, Heinz (1990) “L’art contemporain et la restauration”, Annales d´histoire de l’art et d’archéologie (12): 147-154. Althöfer, Heinz (2011) “Interview mit Bettina Schwabe und Cornelia Weyer”, Beiträge zur Erhaltung von Kunst-und Kulturgut (1): 68-79. Angelucci, Sergio (a cura di) (1994) Arte contemporanea, conservazione e restauro: contributi al “Colloquio sul restauro dell’arte moderna e contemporanea”, Fiesole, Nardini. Appelbaum, Barbara (2007) Conservation treatment methodology, Butterworth-Heinemann, Leipzig. Ashley-Smith, Jonathan (2008) “Theory follows practice”, in: Giuseppe Basile (ed.), Il pensiero di Cesare Brandi dalla teoria alla pratica: a 100 anni dalla nascita di Cesare Brandi: atti dei seminari di München, Hildesheim, Valencia, Lisboa, London, Warszawa, Bruxelles, Paris - Cesare Brandi’s thought from theory to practice: the centenary of the birth of Cesare Brandi: acts of the seminars of München, Hildesheim, Valencia, Lisboa, London, Warszawa, Bruxelles, Paris, Il Prato, Associazione Giovanni Secco Suardo, Saonara, Lurano, pp. 189-193. Barabant, Gilles et François Trémolières (eds.) (à paraître) L’art contemporain mis à nu par ses restaurateurs: actes de la journée d’études organisée avec le C2RMF à l’INHA, Paris, 4 octobre 2013, C2RMF, Paris. Barassi, Sebastiano (2009) Dreaming of a universal approach: Brandi’s Theory of Restoration and the conservation of contemporary art, Paper presented at the seminar Conservation, dilemmas and uncomfortable truths, London, 24 September 2009 [http://www.icom-cc.org/54/document/dreaming-of-a-universal-approach-brandis-theory-of-restoration-and-the-conservation-ofcontemporary-art/?id=777#.XHvygtGCGu4] (consulté le 7 février 2019). Basile, Giuseppe (a cura di) (2008) Il pensiero di Cesare Brandi dalla teoria alla pratica: a 100 anni dalla nascita di Cesare Brandi: atti dei seminari di München, Hildesheim, Valencia, Lisboa, London, Warszawa, Bruxelles, Paris - Cesare Brandi’s thought from theory to practice: the centenary of the birth of Cesare Brandi: acts of the seminars of München, Hildesheim, Valencia, Lisboa, London, Warszawa, Bruxelles, Paris, Il Prato, Associazione Giovanni Secco Suardo, Saonara, Lurano. Basile, Giuseppe and Silvia Cecchini (eds.) (2011) Cesare Brandi and the development of modern conservation theory: international symposium, New York, October 4, 2006, Il prato, Associazione Giovanni Secco Suardo, Saonara, Lurano. Brandi, Cesare (1942) Morandi, Le Monnier, Firenze. Brandi, Cesare (1945) Carmine o della pittura, Scialoja, Roma. Brandi, Cesare (1950) “Il fondamento teorico del restauro”, Bollettino dell’Istituto Centrale del Restauro (1): 5-12. Brandi, Cesare (1952) La fine dell’avanguardia e l’arte d’oggi, Edizioni della Meridiana, Milano. Brandi, Cesare (1963) Teoria del restauro, Edizioni di Storia e Letteratura, Roma. Brandi, Cesare (1963) Burri, Editalia, Roma. Brandi, Cesare (1966) Le due vie, Laterza, Bari. Brandi, Cesare (1974) Teoria generale della critica, Einaudi, Torino. Brandi, Cesare (1976) Scritti sull’arte contemporanea, Einaudi, Torino. Brandi, Cesare (1979) Scritti sull’arte contemporanea II, Einaudi, Torino. Brandi, Cesare (1989) Les deux voies de la critique, trad. Paul Philippot, Marc Vokar Editeur, Bruxelles. Brandi, Cesare (1995) Il restauro: teoria e pratica, Editori Riuniti, Roma. Brandi, Cesare (2001) Théorie de la restauration, trad. Colette Déroche, Éditions du patrimoine, Paris. Brandi, Cesare (2007) Cesare Brandi: la restauration, méthode et études de cas, trad. Françoise Laurent et Nathalie Volle, Institut national du patrimoine, Ed. Stratis, Paris. Brunel, Georges (2009) "Choix, valeurs, théorisation. Penser les pratiques d’aujourd’hui avec Cesare Brandi", CeROArt. Conservation, exposition, Restauration d’Objets d’Art [https://journals.openedition.org/ceroart/1316] (consulté le 7 février 2019). Carta italiana del restauro (1972) Carta italiana del restauro [https://www.unirc.it/documentazione/materiale_didattico/597_2010_253_8833.pdf] (consulté le 10 janvier 2018). Charte de Venise (1964) Charte internationale sur la conservation et la restauration des monuments et des sites [https://www.icomos.org/charters/venice_f.pdf] (consulté le 19 avril 2019). Cordaro, Michele (1994) “Alcuni problemi di metodo per la conservazione dell’arte contemporanea”, in: Arte contemporanea: conservazione e restauro, Nardini Editori, Fiesole, pp. 71-78. Cordaro, Michele (2005) “L’eterogeneita dell’arte contemporanea”, in: Enzo Di Martino (a cura di), Arte contemporanea: conservazione e restauro. Atti del Convegno Internazionale (Venezia, 1996), Allemandi, Torino, pp. 63-64. Cordaro, Michele (2013) “Experience in the restoration of traditional historical materials and the problems of restoring the many materials used in contemporary art”, in: Maria Cristina Mundici and Antonio Rava (eds.), What’s changing: theories and practices in the restoration of contemporary art, Skira, Milano. Cosgrove, Denis E. (1994) “Should we take it all so seriously? Culture, conservation and meaning in the contemporary world”, in: Wolfgang E. Krumbein, Peter Brimblecombe, Denis E. Cosgrove and Sarah Staniforth (eds.), Durability and change: the science, responsibility, and cost of sustaining cultural heritage, John Wiley and Sons, Chichester, pp. 259-266. De Cesare, Grazia (2013) “The ISCR: a methodic approach to the restoration of contemporary artwork - case studies”, in: Maria Cristina Mundici and Antonio Rava (eds.), What’s changing: theories and practices in the restoration of contemporary art, Skira, Milano, pp. 253-257. Dewey, John (1934) Art as experience, Minton, Balch and company, New York. Di Martino, Enzo (a cura di) (2005) Arte contemporanea: conservazione e restauro. Atti del Convegno Internazionale (Venezia,1996), Allemandi, Torino. Frederick R. Weisman Foundation (1991) Conservation and contemporary art: summary of a workshop, 4-5 June 1990, Richmond, Virginia, Frederick R. Weisman Art Foundation, Los Angeles. Genette, Gérard (1994) L’oeuvre de l’art, Éditions du Seuil (Poétiques), Paris. Gesché-Koning, Nicole et Catheline Périer-d’Ieteren (eds.) (2008) Cesare Brandi (1906-1988): sa pensée et l’évolution des pratiques de restauration. Actes du colloque Université Libre de Bruxelles, 25 octobre 2007, Série spéciale des Annales d’Histoire de l’Art et d’Archéologie, Cahiers d’études X, Université Libre de Bruxelles, Bruxelles. Giusto, Jean-Pierre (dir.) (1995) Recherches poïetiques. Revue de la Société Internationale de Poïétique, numéro 3, Dossier L’acte restaurateur, hiver 1995. Glanville, Helen (2008) “Cesare Brandi, Newton and aspects of the controversies of the 1950s and 1960s at the national Gallery,London”, in: Il pensiero di Cesare Brandi dalla teoria alla pratica: a 100 anni dalla nascita di Cesare Brandi: atti dei seminari di München, Hildesheim, Valencia, Lisboa, London, Warszawa, Bruxelles, Paris - Cesare Brandi’s thought from theory to practice: the centenary of the birth of Cesare Brandi: acts of the seminars of München, Hildesheim, Valencia, Lisboa, London, Warszawa,Bruxelles, Paris, Il Prato, Associazione Giovanni Secco Suardo, Saonara, Lurano, pp. 209-216. Hermens, Erma and Frances Robertson (eds.) (2016) Authenticity in transition: changing practices in art making and conservation:proceedings of the international conference held at the university of Glasgow, 1-2 December 2014, Archetype Publications, London. Hölling, Hanna (2013) RE: Paik - On time, changeability and identity in the conservation of Nam June Paik’s Multimedia Installations, PhD dissertation, University of Amsterdam, Amsterdam. Hölling, Hanna (2017) “Time and conservation”, in: ICOM-CC 18th triennial conference, Copenhagen [https://www.icom-ccpublications-online.org/PublicationDetail.aspx?cid=53384c17-3c46-4c24-8917-650f145a5530] (consulté le 20 février 2019). Hughes, Helen (2008) “Brandi and his influence on conservation in the United Kingdom”, in: Giuseppe Basile (ed.), Il pensiero di Cesare Brandi dalla teoria alla pratica: a 100 anni dalla nascita di Cesare Brandi: atti dei seminari di München, Hildesheim, Valencia, Lisboa, London, Warszawa, Bruxelles, Paris - Cesare Brandi’s thought from theory to practice: the centenary of the birth of Cesare Brandi: acts of the seminars of München, Hildesheim, Valencia, Lisboa, London, Warszawa, Bruxelles, Paris, Il Prato, Associazione Giovanni Secco Suardo, Saonara, Lurano, pp. 201-204. Hummelen, IJsbrand and Dionne Sillé (1999) “Preface”, in: IJsbrand Hummelen and Dionne Sillé (eds.), Modern art, who cares?: an interdisciplinary research project and an international symposium on the conservation of modern and contemporary art, The Foundation for the Conservation of Modern Art, Netherlands Institute for Cultural Heritage, Amsterdam, pp. 10-11. ICOM-CC (2019) ICOM-CC Publications Online [https://www.icom-cc-publications-online.org/] (consulté le 18 février 2019). IIC (2016) Saving the now: crossing boundaries to conserve contemporary works. Contributions to the Los Angeles Congress IIC, 12-16 September 2016, Supplement 2, Volume 61, International Institute for Conservation of Historic and Artistic Works (IIC), London. Kanter, Laurence B. (2007) “The reception and non-reception of Cesare Brandi in America”, Future Anterior: Journal of Historic Preservation, History, Theory, and Criticism (4): 30-43. Kühl, Beatriz M. (à paraître) “Por una lectura brandiana de Cesare Brandi en Brasil”, in: Simposio Internacional de Historia y Teorías de la Conservación, Instituto Nacional de Antropología e Historia, México. Magar, Valerie y Renata Schneider (2018) Construir teoría, Instituto Nacional de Antropología e Historia, México. Magar, Valerie (à paraître) “Traducción y recepción de la Teoría de la conservación de Brandi en México”, in: Simposio Internacional de Historia y Teorías de la Conservación, Instituto Nacional de Antropología e Historia, México. Mundici, Maria Cristina and Antonio Rava (ed.) (2013) What’s changing: theories and practices in the restoration of contemporary art, Skira, Milano. Muñoz Viñas, Salvador (2005) Contemporary theory of conservation, Elsevier, Oxford. National Gallery of Canada (1980) International symposium on the conservation of contemporary art - Symposium international sur la conservation de l’art contemporain, National Museums of Canada, Ottawa. Petraroia, Pietro (1986) “Genesi della teoria del restauro”, Brandi e l’estetica. Supplemento degli Annali della Facoltà di lettere e filosofia dell’Università di Palermo: lxxvii-lxxxvi. Petraroia, Pietro (1988) “Il fondamento teorico del restauro”, in: “Per Cesare Brandi”, atti del seminario, Roma, Università di Roma ‘La Sapienza’, 30 maggio - 1 giugno 1984, De Luca edizioni d’arte, Roma, pp. 51-54. Petraroia, Pietro (2006) “Brandi, Milano e la ‘modernita’ negli anni Trenta”, in: Maria Andaloro (a cura di), La teoria del restauro nel Novecento da Riegl a Brandi. Atti del Convegno Internazionale di Studi, Università degli Studi della Tuscia, Nardini Editore,Firenze, pp. 335-345. Philippot, Paul (2010) “Finalement, c’est une question de conscience…. Libre entretien, en forme de postface”, CeROArt. Conservation, exposition, Restauration d’Objets d’Art [https://doi.org/10.4000/ceroart.2051] (consulté le 12 décembre 2018). Righi, Lidia (a cura di) (1992) Conservare l’arte contemporanea, La conservazione et il restauro oggi, Atti del Convegno di Ferrara 26-27 septembre 1991, Nardini, Fiesole. Russo, Luigi (2006) “Cesare Brandi et l’estetica del restauro”, in: La teoria del restauro nel novecento da Riegl a Brandi, Nardini, Firenze, pp. 301-314. Santabárbara Morera, Carlota (2016) “Heinz Althöfer, el inicio de la teoría de la restauración del arte contemporáneo”, e-rph-Revista electrónica de Patrimonio Histórico (18): 52-69 [https://doi.org/10.30827/e-rph.v0i18.5198] (consulté le 7 février 2019). Santabárbara Morera, Carlota (2017) “Conservation of contemporary art: a challenge for the theory of critic restoration?”, in: Conservando el pasado, proyectando el futuro, tendencias en la restauración monumental en el siglo XXI, Institución Fernando el Católico, Zaragoza, pp. 293-304. Schädler-Saub, Ursula and Angela Weyer (2010) Theory and practice in the conservation of modern and contemporary art. Reflections on the roots and the perspectives. Proceedings of the International Symposium held 13-14 January 2009 at the University of Applied Sciences and Arts, Faculty Preservation of Cultural Heritage, Hildesheim, Archetype, London. Stanley-Price, Nicholas, M. Kirby Talley Jr. and Alessandra Melucco Vaccaro (eds.) (1996) Historical and philosophical issues in the conservation of cultural heritage, Readings in conservation, Getty Conservation Institute, Los Angeles. Schinzel, Hiltrud (2004) Touching vision: essays on restoration theory and the perception of art: Ghent University, VUB University Press, Brussels. Stefanaggi, Marcel et Régine Hocquette (2009) Art d’aujourd’hui, patrimoine de demain: conservation et restauration des oeuvres contemporaines: 13es journées d’études de la SFIIC, Paris, 24-26 juin 2009, Section française de l’Institut International de Conservation, Champs-sur-Marne. Steib, Olivier (2018) “La restauration problématique d’une oeuvre lumineuse conceptuelle”, CeROArt. Conservation, exposition, Restauration d’Objets d’Art [https://doi.org/10.4000/ceroart.5942] (consulté le 16 avril 2019). Szmelter, Iwona and Natalia Andejewskarz (eds.) (2012) Innovative approaches to the complex care of contemporary art, Archetype, London-Warsaw. Urbani, Giovanni (2012) Per una archeologia del presente: scritti sull’arte contemporánea, Skira, Milano. Valentini, Francesca (2008) “Cesare Brandi’s theory of restoration: some principles discussed in relation with the conservation of contemporary art”, in: Giuseppe Basile (ed.), Il pensiero di Cesare Brandi dalla teoria alla pratica: a 100 anni dalla nascita di Cesare Brandi: atti dei seminari di München, Hildesheim, Valencia, Lisboa, London, Warszawa, Bruxelles, Paris - Cesare Brandi’s thought from theory to practice: the centenary of the birth of Cesare Brandi: acts of the seminars of München, Hildesheim, Valencia, Lisboa, London, Warszawa, Bruxelles, Paris, Il Prato, Associazione Giovanni Secco Suardo, Saonara, Lurano, pp. 76-82. Van de Vall, Renée, Hanna Hölling, Tatja Scholte and Sanneke Stigter (2011) “Reflections on a biographical approach to contemporary art conservation”, in: Janet Bridgland (ed.), ICOM-CC 16th triennial conference, Lisbon, 19-23 September 2011: preprints, Critério, Almada [http://hdl.handle.net/11245/1.344546] (consulté le 16 avril 2019). Verbeeck, Muriel (2016) “‘There is nothing more practical than a good theory’: Conceptual tools for conservation practice”, Studies in Conservation 61 (Sup 2): 233-240 [https://doi.org/10.1080/00393630.2016.1188647] (consulté le 16 avril 2019). Verbeeck, Muriel (2018) "De l’intention de l’artiste à l’effet de l’oeuvre. Changer l’approche en conservation?", CeROArt. Conservation, exposition, Restauration d’Objets d’Art [https://doi.org/10.4000/ceroart.6020] (consulté le 16 avril 2019).
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- Número de revista Conversaciones con... Num. 7 (2019) Cesare Brandi y Giulio Carlo
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- Título(s)
- Título
- Brandi and the restoration of contemporary art. One side and the other the Teoria
- Conversaciones con... Cesare Brandi y Giulio Carlo Num. 7 Año 5 (2019) enero-junio
- Resumen:
- The theorization of contemporary art is often presented as a recent phenomenon, and refractory to the so-called “classical” approach, inspired by Brandi. This article shows that on the contrary, since Althöfer, Brandi 's theory has underpinned many exploratory approaches, and that a careful re-reading of entire parts of his work, often neglected, is able to inform the interventions of contemporary conservation.
- Referencias:
- Althöfer, Heinz (1960) “Einige Probleme der Restaurierung moderner Kunst”, Das Kunstwerk 14 (5-6): 51-59. Althöfer, Heinz (1970) “The Düsseldorf restoration studio”, Studies in Conservation 15 (3): 223-225. Althöfer, Heinz (1977) “Notizen zur Maltechnik und Restaurierung moderner Kunstobjekte For-setzung 5 und Schluss”, Maltechnik/Restauro (3): 186-192. Althöfer, Heinz (1981) “Historical and ethical principles of restoration”, in: ICOM Committee for Conservation 6th triennial meeting, Ottawa, 21-25 September 1981. Preprints, ICOM, Paris, p. 4. Althöfer, Heinz (1990) “L’art contemporain et la restauration”, Annales d´histoire de l’art et d’archéologie (12): 147-154. Althöfer, Heinz (2011) “Interview mit Bettina Schwabe und Cornelia Weyer”, Beiträge zur Erhaltung von Kunst-und Kulturgut (1): 68-79. Angelucci, Sergio (a cura di) (1994) Arte contemporanea, conservazione e restauro: contributi al “Colloquio sul restauro dell’arte moderna e contemporanea”, Fiesole, Nardini. Appelbaum, Barbara (2007) Conservation treatment methodology, Butterworth-Heinemann, Leipzig. Ashley-Smith, Jonathan (2008) “Theory follows practice”, in: Giuseppe Basile (ed.), Il pensiero di Cesare Brandi dalla teoria alla pratica: a 100 anni dalla nascita di Cesare Brandi: atti dei seminari di München, Hildesheim, Valencia, Lisboa, London, Warszawa, Bruxelles, Paris - Cesare Brandi’s thought from theory to practice: the centenary of the birth of Cesare Brandi: acts of the seminars of München, Hildesheim, Valencia, Lisboa, London, Warszawa, Bruxelles, Paris, Il Prato, Associazione Giovanni Secco Suardo, Saonara, Lurano, pp. 189-193. Barabant, Gilles et François Trémolières (eds.) (à paraître) L’art contemporain mis à nu par ses restaurateurs: actes de la journée d’études organisée avec le C2RMF à l’INHA, Paris, 4 octobre 2013, C2RMF, Paris. Barassi, Sebastiano (2009) Dreaming of a universal approach: Brandi’s Theory of Restoration and the conservation of contemporary art, Paper presented at the seminar Conservation, dilemmas and uncomfortable truths, London, 24 September 2009 [http://www.icom-cc.org/54/document/dreaming-of-a-universal-approach-brandis-theory-of-restoration-and-the-conservation-ofcontemporary-art/?id=777#.XHvygtGCGu4] (consulté le 7 février 2019). Basile, Giuseppe (a cura di) (2008) Il pensiero di Cesare Brandi dalla teoria alla pratica: a 100 anni dalla nascita di Cesare Brandi: atti dei seminari di München, Hildesheim, Valencia, Lisboa, London, Warszawa, Bruxelles, Paris - Cesare Brandi’s thought from theory to practice: the centenary of the birth of Cesare Brandi: acts of the seminars of München, Hildesheim, Valencia, Lisboa, London, Warszawa, Bruxelles, Paris, Il Prato, Associazione Giovanni Secco Suardo, Saonara, Lurano. Basile, Giuseppe and Silvia Cecchini (eds.) (2011) Cesare Brandi and the development of modern conservation theory: international symposium, New York, October 4, 2006, Il prato, Associazione Giovanni Secco Suardo, Saonara, Lurano. Brandi, Cesare (1942) Morandi, Le Monnier, Firenze. Brandi, Cesare (1945) Carmine o della pittura, Scialoja, Roma. Brandi, Cesare (1950) “Il fondamento teorico del restauro”, Bollettino dell’Istituto Centrale del Restauro (1): 5-12. Brandi, Cesare (1952) La fine dell’avanguardia e l’arte d’oggi, Edizioni della Meridiana, Milano. Brandi, Cesare (1963) Teoria del restauro, Edizioni di Storia e Letteratura, Roma. Brandi, Cesare (1963) Burri, Editalia, Roma. Brandi, Cesare (1966) Le due vie, Laterza, Bari. Brandi, Cesare (1974) Teoria generale della critica, Einaudi, Torino. Brandi, Cesare (1976) Scritti sull’arte contemporanea, Einaudi, Torino. Brandi, Cesare (1979) Scritti sull’arte contemporanea II, Einaudi, Torino. Brandi, Cesare (1989) Les deux voies de la critique, trad. Paul Philippot, Marc Vokar Editeur, Bruxelles. Brandi, Cesare (1995) Il restauro: teoria e pratica, Editori Riuniti, Roma. Brandi, Cesare (2001) Théorie de la restauration, trad. Colette Déroche, Éditions du patrimoine, Paris. Brandi, Cesare (2007) Cesare Brandi: la restauration, méthode et études de cas, trad. Françoise Laurent et Nathalie Volle, Institut national du patrimoine, Ed. Stratis, Paris. Brunel, Georges (2009) "Choix, valeurs, théorisation. Penser les pratiques d’aujourd’hui avec Cesare Brandi", CeROArt. Conservation, exposition, Restauration d’Objets d’Art [https://journals.openedition.org/ceroart/1316] (consulté le 7 février 2019). Carta italiana del restauro (1972) Carta italiana del restauro [https://www.unirc.it/documentazione/materiale_didattico/597_2010_253_8833.pdf] (consulté le 10 janvier 2018). Charte de Venise (1964) Charte internationale sur la conservation et la restauration des monuments et des sites [https://www.icomos.org/charters/venice_f.pdf] (consulté le 19 avril 2019). Cordaro, Michele (1994) “Alcuni problemi di metodo per la conservazione dell’arte contemporanea”, in: Arte contemporanea: conservazione e restauro, Nardini Editori, Fiesole, pp. 71-78. Cordaro, Michele (2005) “L’eterogeneita dell’arte contemporanea”, in: Enzo Di Martino (a cura di), Arte contemporanea: conservazione e restauro. Atti del Convegno Internazionale (Venezia, 1996), Allemandi, Torino, pp. 63-64. Cordaro, Michele (2013) “Experience in the restoration of traditional historical materials and the problems of restoring the many materials used in contemporary art”, in: Maria Cristina Mundici and Antonio Rava (eds.), What’s changing: theories and practices in the restoration of contemporary art, Skira, Milano. Cosgrove, Denis E. (1994) “Should we take it all so seriously? Culture, conservation and meaning in the contemporary world”, in: Wolfgang E. Krumbein, Peter Brimblecombe, Denis E. Cosgrove and Sarah Staniforth (eds.), Durability and change: the science, responsibility, and cost of sustaining cultural heritage, John Wiley and Sons, Chichester, pp. 259-266. De Cesare, Grazia (2013) “The ISCR: a methodic approach to the restoration of contemporary artwork - case studies”, in: Maria Cristina Mundici and Antonio Rava (eds.), What’s changing: theories and practices in the restoration of contemporary art, Skira, Milano, pp. 253-257. Dewey, John (1934) Art as experience, Minton, Balch and company, New York. Di Martino, Enzo (a cura di) (2005) Arte contemporanea: conservazione e restauro. Atti del Convegno Internazionale (Venezia,1996), Allemandi, Torino. Frederick R. Weisman Foundation (1991) Conservation and contemporary art: summary of a workshop, 4-5 June 1990, Richmond, Virginia, Frederick R. Weisman Art Foundation, Los Angeles. Genette, Gérard (1994) L’oeuvre de l’art, Éditions du Seuil (Poétiques), Paris. Gesché-Koning, Nicole et Catheline Périer-d’Ieteren (eds.) (2008) Cesare Brandi (1906-1988): sa pensée et l’évolution des pratiques de restauration. Actes du colloque Université Libre de Bruxelles, 25 octobre 2007, Série spéciale des Annales d’Histoire de l’Art et d’Archéologie, Cahiers d’études X, Université Libre de Bruxelles, Bruxelles. Giusto, Jean-Pierre (dir.) (1995) Recherches poïetiques. Revue de la Société Internationale de Poïétique, numéro 3, Dossier L’acte restaurateur, hiver 1995. Glanville, Helen (2008) “Cesare Brandi, Newton and aspects of the controversies of the 1950s and 1960s at the national Gallery,London”, in: Il pensiero di Cesare Brandi dalla teoria alla pratica: a 100 anni dalla nascita di Cesare Brandi: atti dei seminari di München, Hildesheim, Valencia, Lisboa, London, Warszawa, Bruxelles, Paris - Cesare Brandi’s thought from theory to practice: the centenary of the birth of Cesare Brandi: acts of the seminars of München, Hildesheim, Valencia, Lisboa, London, Warszawa,Bruxelles, Paris, Il Prato, Associazione Giovanni Secco Suardo, Saonara, Lurano, pp. 209-216. Hermens, Erma and Frances Robertson (eds.) (2016) Authenticity in transition: changing practices in art making and conservation:proceedings of the international conference held at the university of Glasgow, 1-2 December 2014, Archetype Publications, London. Hölling, Hanna (2013) RE: Paik - On time, changeability and identity in the conservation of Nam June Paik’s Multimedia Installations, PhD dissertation, University of Amsterdam, Amsterdam. Hölling, Hanna (2017) “Time and conservation”, in: ICOM-CC 18th triennial conference, Copenhagen [https://www.icom-ccpublications-online.org/PublicationDetail.aspx?cid=53384c17-3c46-4c24-8917-650f145a5530] (consulté le 20 février 2019). 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- Número de revista Conversaciones con... Num. 7 (2019) Cesare Brandi y Giulio Carlo
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