Cesare Brandi (1906 to 1988): his concept of restoration and the dilemma of architecture
- Título(s)
- Título
- Cesare Brandi (1906 to 1988): his concept of restoration and the dilemma of architecture
- Conversaciones con... Cesare Brandi y Giulio Carlo Num. 7 Año 5 (2019) enero-junio
- Resumen:
- This article offers a theoretical review of the origin of the concept of restoration in Brandi’s view, proposing a critique centered on architectural restoration. Brandi’s theoretical trajectory is outlined in his approach to the discernment of art in general and architecture in particular, centered around his Teoria del restauro (1963b). Through phenomenology, Brandi deduced the essence of the artistic phenomenon without including in restoration other human realities that are integrated into the architecture´s existence. His approach was phenomenological in method and ontological in its objectives. The fact that architecture constitutes an important part of human place and its artistic condition, nevertheless broadens the question of what constitutes this human habitable space and which constructions should be conserved.
- Referencias:
- Antonio, Robert J. (1983) “The origin, development, and contemporary status of critical theory”, The Sociological Quarterly 24 (3): 325-51. Associazione Amici di Cesare Brandi (2009) [http://www.cesarebrandi.org] (consultado el 9 de enero de 2019). Bohman, James (2005) “Critical theory”, in: Stanford Encyclopedia of Philosophy [https://plato.stanford.edu/archives/spr2005/entries/critical-theory/] (consultado el 26 de marzo de 2019). Brandi, Cesare (1945) Carmine o della pittura, Scialoja, Roma. Brandi, Cesare (1956) Elicona. III-IV. Arcadio o della scultura. Eliante o dell’architettura, Giulio Einaudi, Torino. Brandi, Cesare (1957) Elicona II. Celso o della poesia, Editori Riuniti, Roma. Brandi, Cesare (1963a) “Restauro”, in: Enciclopedia Universale dell’Arte, vol. XI, Venezia-Roma, pp. 322-332. Brandi, Cesare (1963b) Teoria del restauro, Einaudi, Torino. Brandi, Cesare (1964) “Il nuovo sul vecchio”, La Fiera Letteraria, 27 settembre 1964, p. 6. Brandi, Cesare (1967) Struttura e architettura, Einaudi, Torino. Brandi, Cesare (1974) Teoria generale della critica, Einaudi, Torino. Brandi, Cesare (1995) Il restauro, teoria e pratica 1939-1986, a cura di Michele Cordaro, Editori Riuniti, Rome. Brandi, Cesare (2005) Theory of restoration, trans. Cynthia Rockwell, Nardini, Firenze. Cangelosi, Antonella y Maria Rosaria Vitale (2008) Brandi e l’architettura, Lombardi editori, Siracusa. Carbonara, Giovanni (1996) Cesare Brandi. Scritti di architettura, Testo and Immagine, Torino. Carboni, Massimo (1992) Cesare Brandi. Teoria ed esperienza dell’arte, Editori Riuniti, Rome. Catalano, Maria Ida (2004) “Una definizione che viene da lontano. Avvio allo ‘smontaggio’ della Teoria del restauro di Cesare Brandi”, Bollettino dell’Istituto Centrale del Restauro (8-9): 102-128. Charola, Elena y Fernando Henriques (2001) “Jukka Jokilehto, a history of architectural conservation”, Journal of the American Institute for Conservation 40 (2): 147-172. Croce, Benedetto (1946) “Cesare Brandi, Carmine o della pittura”, Quaderni della Critica (4): 81-2. D’Angelo, Paolo (2006a) Cesare Brandi critica d’arte e filosofia, Quodlibet, Macerata. D’Angelo, Paolo (2006b) “Realtà e immagine in Cesare Brandi”, Attraverso l’immagine. In ricordo di Cesare Brandi, 13-24, Aesthetica Preprint, Universita degli Studi di Palermo, Centro Internazionale Studi di Estetica, Palermo. De Lauretis, Teresa (1975) “The discreet charm of semiotics, or aesthetics in the Emperor’s new clothes”, Diacritics 5 (3): 16. Dewey, John (1934) Art as experience, Minton Balch, New York. Dorfles, Gillo (1953) “New currents in Italian aesthetics”, The Journal of Aesthetics and Art Criticism 12 (2): 184-196. Gadamer, Hans Georg (1989) Truth and method, Sheed and Ward, London. Istituto Superiore per la Conservazione ed il Restauro [http://www.iscr.beniculturali.it/home.cfm] (consultado el 9 de enero de 2019). Jokilehto, Jukka (1986) A history of architectural conservation. The contribution of English, French, German and Italian thought towards an international approach to the conservation of cultural property, PhD dissertation, University of York, York. Meraz, Fidel (2008) “Architecture and temporality in conservation theory: the Modern Movement and the restoration attitude in Cesare Brandi”, in: The challenge of change. Dealing with the legacy of the modern movement: Proceedings of the 10th International DOCOMOMO Conference, IOS, Amsterdam, pp. 23-26. Meraz, Fidel (2009) Architecture and temporality in conservation philosophy. Cesare Brandi, PhD dissertation in Architecture, School of the Built Environment, University of Nottingham, Nottingham. Meraz, Fidel (2016) “On the experience of temporality: existential issues in the conservation of architectural places”, Journal of Aesthetics and Phenomenology 3 (2): 167-182. Morpurgo Tagliabue, Guido (1960a) L’esthétique contemporaine, Marzorati, Milano. Morpurgo Tagliabue, Guido (1960b) “L’evoluzione della critica figurativa contemporanea”, Belfagor VI (6): 617-628. Prestinenza Puglisi, Luigi (1998) Brandi - Teoria generale della critica 1998 [http://www.prestinenza.it/scrittibrevi/articoliDomus/Brandi.htm] (consultado el 30 de noviembre de 2006). Renfrew, Colin and Paul Bahn (1997) Archaeology, theories methods and practice, Thames and Hudson, London. Simoni, Frederic S. (1952) “Benedetto Croce: a case of international misunderstanding”, The Journal of Aesthetics and Art Criticism 11 (1): 7-14. Solomon, Robert C. (ed.) (1993) The age of German idealism. Volume VI, Routledge, New York. Tafuri, Manfredo (1973a) Progetto e utopia, Laterza, Roma. Tafuri, Manfredo (1973b) Teorie e storia dell’architettura, Laterza, Rome.
- Idioma
- English
- Temática
- Nombres
- Cesare Brandi
- Origen
- Lugar
- Ciudad de México, México
- Fecha de publicación
- 2019-06-30
- Editor
- Instituto Nacional de Antropología e Historia
- Emisión
- Monográfico único
- Personas/ Instituciones
- Valerie Magar: Traductor
- Tipo de recurso
- Texto
- Artículo de revista
- Condiciones de uso
- D.R. Instituto Nacional de Antropología e Historia, México
- Identificadores
- MID
- 54_20190630-000000:29_1374_19957
- Catalogación
- Fuente
- Instituto Nacional de Antropología e Historia
- Idioma
- Español
- Digitalización
- Origen del recurso digital
- Digital originalmente
- Calidad del recurso digital
- Acceso
- Número de revista Conversaciones con... Num. 7 (2019) Cesare Brandi y Giulio Carlo
- Revista Conversaciones con...
-
Vista Impresión
- Título(s)
- Título
- Cesare Brandi (1906 to 1988): his concept of restoration and the dilemma of architecture
- Conversaciones con... Cesare Brandi y Giulio Carlo Num. 7 Año 5 (2019) enero-junio
- Resumen:
- This article offers a theoretical review of the origin of the concept of restoration in Brandi’s view, proposing a critique centered on architectural restoration. Brandi’s theoretical trajectory is outlined in his approach to the discernment of art in general and architecture in particular, centered around his Teoria del restauro (1963b). Through phenomenology, Brandi deduced the essence of the artistic phenomenon without including in restoration other human realities that are integrated into the architecture´s existence. His approach was phenomenological in method and ontological in its objectives. The fact that architecture constitutes an important part of human place and its artistic condition, nevertheless broadens the question of what constitutes this human habitable space and which constructions should be conserved.
- Referencias:
- Antonio, Robert J. (1983) “The origin, development, and contemporary status of critical theory”, The Sociological Quarterly 24 (3): 325-51. Associazione Amici di Cesare Brandi (2009) [http://www.cesarebrandi.org] (consultado el 9 de enero de 2019). Bohman, James (2005) “Critical theory”, in: Stanford Encyclopedia of Philosophy [https://plato.stanford.edu/archives/spr2005/entries/critical-theory/] (consultado el 26 de marzo de 2019). Brandi, Cesare (1945) Carmine o della pittura, Scialoja, Roma. Brandi, Cesare (1956) Elicona. III-IV. Arcadio o della scultura. Eliante o dell’architettura, Giulio Einaudi, Torino. Brandi, Cesare (1957) Elicona II. Celso o della poesia, Editori Riuniti, Roma. Brandi, Cesare (1963a) “Restauro”, in: Enciclopedia Universale dell’Arte, vol. XI, Venezia-Roma, pp. 322-332. Brandi, Cesare (1963b) Teoria del restauro, Einaudi, Torino. Brandi, Cesare (1964) “Il nuovo sul vecchio”, La Fiera Letteraria, 27 settembre 1964, p. 6. Brandi, Cesare (1967) Struttura e architettura, Einaudi, Torino. Brandi, Cesare (1974) Teoria generale della critica, Einaudi, Torino. Brandi, Cesare (1995) Il restauro, teoria e pratica 1939-1986, a cura di Michele Cordaro, Editori Riuniti, Rome. Brandi, Cesare (2005) Theory of restoration, trans. Cynthia Rockwell, Nardini, Firenze. Cangelosi, Antonella y Maria Rosaria Vitale (2008) Brandi e l’architettura, Lombardi editori, Siracusa. Carbonara, Giovanni (1996) Cesare Brandi. Scritti di architettura, Testo and Immagine, Torino. Carboni, Massimo (1992) Cesare Brandi. Teoria ed esperienza dell’arte, Editori Riuniti, Rome. Catalano, Maria Ida (2004) “Una definizione che viene da lontano. Avvio allo ‘smontaggio’ della Teoria del restauro di Cesare Brandi”, Bollettino dell’Istituto Centrale del Restauro (8-9): 102-128. Charola, Elena y Fernando Henriques (2001) “Jukka Jokilehto, a history of architectural conservation”, Journal of the American Institute for Conservation 40 (2): 147-172. Croce, Benedetto (1946) “Cesare Brandi, Carmine o della pittura”, Quaderni della Critica (4): 81-2. D’Angelo, Paolo (2006a) Cesare Brandi critica d’arte e filosofia, Quodlibet, Macerata. D’Angelo, Paolo (2006b) “Realtà e immagine in Cesare Brandi”, Attraverso l’immagine. In ricordo di Cesare Brandi, 13-24, Aesthetica Preprint, Universita degli Studi di Palermo, Centro Internazionale Studi di Estetica, Palermo. De Lauretis, Teresa (1975) “The discreet charm of semiotics, or aesthetics in the Emperor’s new clothes”, Diacritics 5 (3): 16. Dewey, John (1934) Art as experience, Minton Balch, New York. Dorfles, Gillo (1953) “New currents in Italian aesthetics”, The Journal of Aesthetics and Art Criticism 12 (2): 184-196. Gadamer, Hans Georg (1989) Truth and method, Sheed and Ward, London. Istituto Superiore per la Conservazione ed il Restauro [http://www.iscr.beniculturali.it/home.cfm] (consultado el 9 de enero de 2019). Jokilehto, Jukka (1986) A history of architectural conservation. The contribution of English, French, German and Italian thought towards an international approach to the conservation of cultural property, PhD dissertation, University of York, York. Meraz, Fidel (2008) “Architecture and temporality in conservation theory: the Modern Movement and the restoration attitude in Cesare Brandi”, in: The challenge of change. Dealing with the legacy of the modern movement: Proceedings of the 10th International DOCOMOMO Conference, IOS, Amsterdam, pp. 23-26. Meraz, Fidel (2009) Architecture and temporality in conservation philosophy. Cesare Brandi, PhD dissertation in Architecture, School of the Built Environment, University of Nottingham, Nottingham. Meraz, Fidel (2016) “On the experience of temporality: existential issues in the conservation of architectural places”, Journal of Aesthetics and Phenomenology 3 (2): 167-182. Morpurgo Tagliabue, Guido (1960a) L’esthétique contemporaine, Marzorati, Milano. Morpurgo Tagliabue, Guido (1960b) “L’evoluzione della critica figurativa contemporanea”, Belfagor VI (6): 617-628. Prestinenza Puglisi, Luigi (1998) Brandi - Teoria generale della critica 1998 [http://www.prestinenza.it/scrittibrevi/articoliDomus/Brandi.htm] (consultado el 30 de noviembre de 2006). Renfrew, Colin and Paul Bahn (1997) Archaeology, theories methods and practice, Thames and Hudson, London. Simoni, Frederic S. (1952) “Benedetto Croce: a case of international misunderstanding”, The Journal of Aesthetics and Art Criticism 11 (1): 7-14. Solomon, Robert C. (ed.) (1993) The age of German idealism. Volume VI, Routledge, New York. Tafuri, Manfredo (1973a) Progetto e utopia, Laterza, Roma. Tafuri, Manfredo (1973b) Teorie e storia dell’architettura, Laterza, Rome.
- Idioma
- English
- Temática
- Nombres
- Cesare Brandi
- Origen
- Lugar
- Ciudad de México, México
- Fecha de publicación
- 2019-06-30
- Editor
- Instituto Nacional de Antropología e Historia
- Emisión
- Monográfico único
- Personas/ Instituciones
- Valerie Magar: Traductor
- Tipo de recurso
- Texto
- Artículo de revista
- Condiciones de uso
- D.R. Instituto Nacional de Antropología e Historia, México
- Identificadores
- MID
- 54_20190630-000000:29_1374_19957
- Catalogación
- Fuente
- Instituto Nacional de Antropología e Historia
- Idioma
- Español
- Digitalización
- Origen del recurso digital
- Digital originalmente
- Calidad del recurso digital
- Acceso
- Número de revista Conversaciones con... Num. 7 (2019) Cesare Brandi y Giulio Carlo
- Revista Conversaciones con...
MI MEDIATECA
Mi Mediateca es un espacio personal para guardar y organizar la información que mas te interesa de la Mediateca.
Para poder utilizar debes tener una cuenta de usuario e iniciar sesión.
Permisos de uso
Estas imágenes y archivos se pueden consultar, guardar y distribuir sin fines comerciales, siempre que se especifique que pertenecen al Instituto Nacional de Antropología e Historia de México así como los correspondientes derechos de autor y el hipervinculo completo dentro de la Mediateca INAH.
Para solicitar el uso de fotografías u otros archivos contenidos en este repositorio consulte las instrucciones aqui
Facebook
Twitter
Google+
Enviar link por mail
Link permanenteEste objeto es parte de
Colección Mediateca
Revista
MÁS OBJETOS
Ver todos
